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- <text id=93TT2531>
- <title>
- Feb. 15, 1993: Reviews:Short Takes
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Feb. 15, 1993 The Chemistry of Love
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 67
- SHORT TAKES
- </hdr>
- <body>
- <p>CINEMA
- </p>
- <p> Graveyard Laughter
- </p>
- <p> Facing up to widowhood, Lucille (Diane Ladd) fakes
- merriness, Doris (Olympia Dukakis) makes a tart-tongued second
- career out of mourning, and Esther (Ellen Burstyn) remains awash
- in vulnerability. They are THE CEMETERY CLUB--three nice
- middle-aged, middle-class Jewish ladies trying to live out their
- leftover lives. When Esther crosses class lines to embark
- tentatively on a relationship with Ben (Danny Aiello), who
- drives a cab, her pals send up a chorus of envy and disapproval.
- The acting is sharp, and Bill Duke's direction is realistically
- grounded. But writer Ivan Menchell Neil Simonizes loss. He can
- be funny in variously glib and cozy ways. What's beyond him is
- the kind of laughter, gallant and sardonic, that can brace and
- inspire us in adversity.
- </p>
- <p> CINEMA
- </p>
- <p> Fever Blister
- </p>
- <p> One problem with feel-good movies is that they browbeat
- the viewer with their strident optimism; like a Stalinist
- nanny, they shout, "Feel good!" Such a one is STRICTLY BALLROOM,
- an audience hit at several festivals. In this Australian
- musical comedy, West Side Story meets Saturday Night Fever, and
- everyone--especially the thoughtful moviegoer--ends up
- exhausted. On a ballroom dance floor, director Baz Luhrmann sets
- in motion all manner of human and cinematic gargoyles. You've
- never seen so many fisheye close-ups of goofy faces caked with
- bad makeup. Watching the film is like being condemned to perform
- in a '30s dance marathon with a partner who just won't quit.
- They shoot Aussies, don't they?
- </p>
- <p> MUSIC
- </p>
- <p> Digital Delight
- </p>
- <p> Though known as the supreme violin virtuoso whose personal
- eccentricities and wizardly playing combined to make him music's
- first superstar, Niccolo Paganini was also a superb guitarist.
- The instrument figured in all his published work during his
- lifetime except his magnum opus, the ferociously demanding 24
- Caprices for solo violin. It seems just, then, that the guitar
- virtuoso ELIOT FISK has recorded his own transcriptions of the
- pieces (MusicMasters Classics). What amazes throughout is Fisk's
- ingenuity in finding the equivalents of, say, legato and
- ricocheted bowing on his plucked instrument, and his dexterity
- in executing them with such panache. This recording will dazzle
- violinists and daunt guitarists.
- </p>
- <p> BOOKS
- </p>
- <p> Middle-Class Tempers
- </p>
- <p> Kevin Phillips has built a reputation as the dependable
- fortune-teller of American politics. BOILING POINT: REPUBLICANS,
- DEMOCRATS, AND THE DECLINE OF MIDDLE-CLASS PROSPERITY (Random
- House; $23) is not as boldly predictive as his earlier books:
- he compares this nation's fate to that of 17th century Holland
- and late 19th century England--two economic powerhouses that
- declined under the weight of indebtedness at home and
- overexpansion abroad--only to suggest later that the parallels
- may not hold up. But Phillips' statistics and his pictures of
- suburbia provide a rich backdrop to last November's election--an instant context for understanding the mixture of volatility
- and sobriety that characterized voters.
- </p>
- <p> TELEVISION
- </p>
- <p> Tennison, Anyone?
- </p>
- <p> No actress on TV shuns makeup more defiantly than Helen
- Mirren. As London's detective chief inspector Jane Tennison, she
- wears every sag and wrinkle as if it were a combat medal. In
- Prime Suspect, last year's smashing PBS mini-series imported
- from Granada TV, Ten nison struggled to prove her investigative
- mettle to male-chauvinist col leagues. That battle largely won,
- PRIME SUSPECT 2 (debuting Feb. 11 for four weeks) loses some of
- its feminist urgency. Here she investigates the murder of a
- black girl in a racially tense neighborhood and tries to keep
- her professional cool when a black detective, and former lover,
- is assigned to the case. A bit less than prime this time, but
- still choice fare.
- </p>
-
- </body>
- </article>
- </text>
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